Tag: film-philosophy
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Unravelling Layers: A Review of ‘Anatomy of a Fall’ (2023)
In my review of ‘Anatomy of a Fall,’ directed by Justine Triet, I dive into its captivating tale set in the French Alps, blending legal drama with a mysterious death. Anchored by profound performances, the film’s cinematography and feminist perspective challenge stereotypes, offering a thought-provoking journey into human nature and societal constructs.
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Review and Analysis of Jenn Wexler’s ‘The Sacrifice Game’ (2023)
In my analysis of ‘The Sacrifice Game’ (2023), I delve into its unique fusion of horror with feminist philosophy, set in the haunting Blackvale Catholic School. It’s a thought-provoking cinematic journey beyond typical horror, blending deep philosophical reflections with visceral suspense.
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‘Ferrari’ (2023) Analysis: Reflection on Women’s Portrayal
In this critique, I dissect ‘Ferrari’ (2023) by Michael Mann, spotlighting its electrifying race sequences while lambasting its reduction of women to decorative pieces in a male-driven plot. My analysis champions a cinematic revolution, advocating for a transition from archaic female stereotypes to a more balanced and diverse narrative canvas.
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Analysing ‘Sick of Myself’ (2022): A Deep Dive into Digital Gaze and Identity Crisis
In my film analysis, I dissect Kristoffer Borgli’s ‘Sick of Myself,’ a riveting portrayal of digital culture’s maze and identity crisis. Exploring the Lacanian gaze, I delve into how Signe’s ((Kristine Kujath Thorp) quest for digital validation mirrors societal obsessions, intertwining queer and oppositional gazes for a valuable narrative critique.
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Beyond the Camera’s Eye: Unraveling the Virtual and Actual in Jafar Panahi’s ‘No Bears'(2022)
In this analysis, I delve into the artistic genius of Iranian filmmaker Jafar Panahi. His latest film, ‘No Bears’, filmed under constraints, blurs the lines between fiction and reality, echoing Gilles Deleuze’s philosophical concepts. Panahi’s film is a meta-discursive journey, inviting us to reconsider cinema’s essence and its impact on our perception of truth.
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Transcending Eroticism in Film: An Analysis of ‘Slow’ (2023)
Delve into the mesmerising world of ‘Slow’ (2023) as we journey through Patricia MacCormack’s concept of ‘cinesexuality.’ This cinematic exploration reimagines desire, transcending rigid norms. Witness its intricate depiction of asexuality and profound emotional connections, shattering conventional boundaries of sexuality and redefining how we engage with films.
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‘River’ (2023) by Junta Yamaguchi: Feminist Analysis of Film’s Temporality
In this article I analyse ‘River ‘(2023) by Junta Yamaguchi, emphasising its feminist approach and innovative storytelling that challenges traditional narratives and patriarchal norms through temporal themes.
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‘When It Melts’ (2023) Review: Melting Boundaries
In this review review I praise ‘When It Melts’ for its raw depiction of youth and difficult themes. Directed by Veerle Baetens, it addresses sexual violence realistically, featuring Charlotte De Bruyne and Rosa Marchant’s notable performances, but its intense tone might not appeal to everyone.
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‘The Smoke Sauna Sisterhood’ (2023) Review: Enveloped in Warmth and Wisdom
In this film review, delve into ‘The Smoke Sauna Sisterhood,’ an enchanting documentary directed by Anna Hints. Discover the Estonian smoke sauna tradition and its profound exploration of women’s unity, resilience, and cultural legacy, all while tackling aging, body image, and societal perspectives.
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Defying Boundaries: The Art and Legacy of Camille Billops
This article I highlight Camille Billops as an avant-garde filmmaker and artist. It discusses her unconventional blend of documentary and fantasy, her diverse career spanning ceramics to printmaking, and her impactful films like ‘Suzanne, Suzanne’ (1982) and ‘Finding Christa,'(1991) which tackle personal and societal themes, breaking artistic boundaries.
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Man Ray and Jim Jarmusch’s Cinematic Alchemy
In this analysis, step into a mesmerising world of surrealism and psychedelia as Jim Jarmusch and Carter Logan’s SQÜRL redefine Man Ray’s films in 4K for the 100th anniversary of ‘Return to Reason.’ Explore a transcendent cinematic experience like never before!
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‘Family Portrait’ (2023) Review: An Ode to the Cycle of Life and Death
Lucy Kerr’s ‘film Family Portrait’ is a haunting cinematic journey into the heart of grief during COVID-19, blurring the lines between reality and dreams, while challenging the authenticity of memories. Dive into this captivating film review to unravel its profound exploration of loss.
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‘Mountains’ (2023) Review: A Heartfelt Odyssey Amidst the Demolition
Discover how Monica Sorelle’s ‘Mountains’ (2023) masterfully portrays the clash between cultural vibrancy and ruthless capitalism in Miami’s Little Haiti. This film review delves into Xavier’s poignant journey, a tale of family, resistance, and gentrification.
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‘Periodical’ (2023) Review: Empowering Red
In the thought-provoking ‘Periodical’ (2023), Lina Lyte Plioplyte’s film review explores menstruation’s stigma, featuring diverse perspectives on its medical, cultural, and historical significance, demanding societal transformation. However, it hints at the challenge of capturing such depth in just 95 minutes. Dive deeper into this captivating exploration.
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A Critique of ‘Priscilla’ (2023): Walking in Her Shoes, Yet Left Standing at the Door
In this candid film review, Sofia Coppola’s ‘Priscilla’ delivers a visually stunning portrayal of Priscilla Presley, but its emotional depth leaves viewers wanting more, despite remarkable production and costume design.
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‘Past Lives’ (2023) Review: Exploration of In-Betweenness
Dive into ‘Past Lives,’ a captivating cinematic journey directed by Celine Song. This visually striking film unravels the intricate web of human spirit, relationships, and migrant experiences, delivering an emotionally resonant narrative. Explore more in our film review.
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‘All Dirt Roads Taste of Salt’ (2023): Embracing Eternity in Every Frame
This review explores Raven Jackson’s film All Dirt Roads Taste of Salt’, emphasising its non-linear narrative, tactile cinematography, and themes of race, feminism, and ecology, set against Mississippi’s backdrop in the 1970s and 1980s.
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Screening the 1929 Igbo Women’s War
In this article, I look at the 1929 Igbo Women’s War on screen, and explore a temporally diverse route through the films and ideas that lie within.