Tag: film-philosophy
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‘EO’ (2022) Film Review: Step into Nonhuman Cinema
In Jerzy Skolimowski’s 2022 film ‘EO’, a mesmerising cinematic transmutation takes us into the perspective of donkeys, challenging our ethics and environmental consciousness. Read my film review to experience this profound animal’s-eye view of the world.
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‘The Princess Switch’ Analysis: The Netflix Christmas Metaverse, or How Vanessa Hudgens Became a Cyborg
Embrace the enchanting chaos of Christmas as I unveil the ‘The Princess Switch’ analysis, revealing the hidden layers of consumerist abundance and societal contradictions in the most wonderful time of the year.
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‘The Sky Is Everywhere’ (2022): Ointment For My Broken Heart (Personal Review)
This is not going to be an ordinary film review. The purpose of this website is to disrupt the assumption of mainstream film criticism, which presupposes that a film can be “good” or “bad”. Instead, the aim is to focus on – to paraphrase Gilles Deleuze and Felix Guattari’s remark about bodies – what a…
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The Erotics of Mud: Cinematic Digging of Matter
In this essay, we attempt to dissolve the myth of an immaterial digital reality by looking closely at two recent films that emphasize the act of digging: Minari (Lee Isaac Chung, 2021, US: A24) and The Dig (Simon Stone, 2021, UK: Netflix). By combining the textual analysis of selected scenes with a film-philosophical framework, drawing…
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MURINA: THE LIQUID WORLD OF DESIRE BEYOND THE HUMAN
In front of our eyes unravels a blue, flickering surface in perpetual movement, highlighted by tranquil yet eerie music. We stand still but the surface moves gently in ebbs and flows, unfolding an array of different shades of blue, from bright to almost completely black. As the image persists we begin to grasp that we…