Tag: Gilles Deleuze
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Ethical Dissonance and Visual Poetry in ‘The Zone of Interest’
Jonathan Glazer’s ‘The Zone of Interest’ gripped me, revealing the Holocaust’s banality of evil and sparking urgent reflections on morality in today’s world. It’s a compelling watch, urging a deeper look at our ethical responsibilities.
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Analysing ‘The Holdovers’ with Deleuze and Guattari
Delve into ‘The Holdovers’, where Deleuzo-Guattarian theory meets a poignant narrative of loss and resilience. Payne’s direction and a stellar cast explore human connections, reflecting on desiring-machines and societal critique. Essential reading for cinephiles and scholars.
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Schizoanalysis of Cinema: Frames of Flux and Desire
Embark on a schizoanalytic exploration through cinema with this curated watchlist, where each film unravels the complexities of reality, identity, and desire. These selections mirror the fluidity and multiplicity of our beings, inviting viewers into a deep contemplation of the self and the world around us through provocative narratives and visuals.
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‘All of Us Strangers’ and the Philosophy of Temporality
Delve into ‘All of Us Strangers,’ where Derrida’s hauntology, Deleuze’s time-image, Bakhtin’s chronotope, and Merleau-Ponty’s phenomenology intertwine in a cinematic journey of memory, loss, and spectral pasts, mirroring my own voyage through grief.
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Analysis of ‘Poor Things’ through the Feminist Reinterpretation of Spinoza
Explore how Spinoza’s philosophy challenges gender hierarchies and discover how Moira Gatens reinterprets it, emphasising fluid agency and power relations. ‘Poor Things’ vividly embodies these concepts, offering a thought-provoking journey into contemporary culture.
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Film Analysis: ‘Poor Things’ and ‘Body-Without-Organs’
Dive into ‘Poor Things’ for a visual spectacle and profound narrative where Emma Stone’s character challenges identity, navigating a journey shaped by Deleuze and Guattari’s philosophical insights.
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Beyond the Camera’s Eye: Unraveling the Virtual and Actual in Jafar Panahi’s ‘No Bears'(2022)
In this analysis, I delve into the artistic genius of Iranian filmmaker Jafar Panahi. His latest film, ‘No Bears’, filmed under constraints, blurs the lines between fiction and reality, echoing Gilles Deleuze’s philosophical concepts. Panahi’s film is a meta-discursive journey, inviting us to reconsider cinema’s essence and its impact on our perception of truth.
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Becoming Lucía: A Journey Beyond Binaries in ‘20,000 Species of Bees’ (2023)
Estibaliz Urresola Solaguren’s ‘20,000 Species of Bees’ takes you on a mesmerising cinematic journey. In this analysis, we dive into a cinematic world where identity transforms, echoing Deleuze’s ‘becoming.’ This film defies norms, pushing cinema’s limits, urging us to embrace life’s constant evolution – a true becoming!