In recent years, Belgian cinema has emerged as a vanguard in the cinematic portrayal of youth, particularly distinguished by its courageous foray into themes often regarded as taboo or profoundly distressing. This bold narrative choice focuses on topics that society frequently chooses to ignore or sweep under the proverbial rug, demonstrating a preference for blissful ignorance over confronting uncomfortable truths. Such storytelling requires a sophisticated and nuanced understanding, as well as a sensitive approach, to address these complex themes effectively.

Close (2022) by Lukas Dhont: A Poignant Prelude

A quintessential example of this cinematic trend is the film Close by Lukas Dhont. This poignant movie delves into the life-altering aftermath of a young boy’s suicide. The 13-year-old Rémi, portrayed with a heart-wrenching vulnerability by Gustav De Waele, becomes the silent epicentre of the narrative. However, the story unfolds through the eyes of Rémi’s best friend, Leo, played by Eden Dambrine. Leo finds himself ensnared in a maelstrom of overwhelming guilt and emotional turmoil, providing a deeply introspective view of such a tragedy.

Dhont’s directorial finesse is evident in his handling of this sensitive subject matter. He employs a synthesis of poetic cinematography and neo-realist techniques that are reminiscent of films by Jean-Pierre and Luc Dardenne. Close is a film that is not just a visual spectacle but a profound exploration of human emotions and relationships. This cinematic experience transcends mere storytelling; it is a poignant reflection on the complexities of youth, friendship, and the unspoken sorrows that often lurk beneath the surface of our lives. Films such as Close bravely venture into unexplored territories of cinema, compelling viewers to confront and reflect upon facets of the adolescent experience that are frequently too disconcerting to acknowledge.

When It Melts: A Daring Debut by Veerle Baetens

Equally audacious in thematic scope yet markedly distinct in its stylistic approach is Veerle Baetens’ cinematic creation, When it Melts. This film, a meticulous adaptation of Lize Spit’s highly lauded Flemish novel, made its debut at the Sundance Film Festival, heralding Baetens’ inaugural venture into the realm of film direction. Baetens, widely celebrated for her compelling performances in The Broken Circle Breakdown (2012) and Cheyenne & Lola (2020), embarks on this directorial journey with laudable ambition.

However, despite her valiant efforts, the film does not quite ascend to the heights of a cinematic masterpiece. Its depiction of sexual assault upon a thirteen-year-old girl envelops the audience in an overwhelming shroud of despair and desolation, creating an atmosphere that is in stark, jarring contrast to the evocative and emotionally stirring experience furnished by Close. While it’s essential for films to provoke thought, When It Melts could benefit from more nuanced aesthetics, as seen in Dhont’s film.

The Nuanced Narrative of When It Melts

In When It Melts, we are introduced to the protagonist Eva, a character brought to life with remarkable depth and nuance by Charlotte De Bruyne. Eva, an assistant to a photographer, is depicted as a figure marked by her reticence, introversion, and a discernible discomfort in social interactions. The film masterfully delves into the intricacies of Eva’s relationships, painting a vivid picture of her internal struggles. These include her response to her sister’s pivotal decision to move away, as well as the multifaceted and often fraught dynamics she shares with her parents. The narrative intensifies intriguingly when Eva receives a mysterious Facebook invitation to an event in her childhood village. This invitation sets in motion a chain of events, marked by a foreboding undertone, particularly evident in the transportation of a massive block of ice—a sinister callback to the film’s grim opening.

Visual Storytelling: Depicting Unspeakable

Frederic Van Zandycke’s cinematographic prowess is evident in the film’s visual transitions. The aesthetic palette oscillates between sombre, desaturated tones and vibrant, vivid colours, particularly during sequences that flashback to Eva’s younger days. These flashbacks are rendered with exceptional poignancy by Rosa Marchant, who delivers a stirring portrayal of young Eva. Marchant adeptly captures Eva’s tumultuous journey through dysfunctional family life and her dependence on friendships as emotional sanctuaries. In the comforting embrace of Eva’s camaraderie with Tim (interpreted by Anthony Vyt) and Laurens (embodied by Matthijs Meertens), she discovers a haven of tranquility. Moreover, she unexpectedly garners maternal affection from Laurens’ mother, Marie (portrayed by Femke Heijens), the cheerful local butcher who fondly dubs the group ‘The Three Musketeers’.

Yet, these friendships become enmeshed in complexity and darkness, particularly in the context of themes such as sexual exploitation and peer pressure, as illustrated in a harrowing scene that objectifies young girls. Furthermore, the film underscores the challenges faced by a young girl who does not entirely conform to the societal norms of femininity. Eva’s tomboyish demeanour and her lack of physical maturity place her in a liminal space, where she is neither accepted by her male peers nor fully embraced by female ones.

Confronting Taboos: The Impact of When It Melts

When It Melts skillfully addresses the often-overlooked issue of sexual violence and its implications, particularly in the context of adult response or lack thereof. However, the film’s pervasive bleakness may not resonate with every viewer. Nonetheless, its role in sparking vital discussions on such pressing issues is undeniably crucial. The flashback sequences, especially Marchant’s portrayal of young Eva, are noteworthy for their authentic emotional resonance. Marchant’s compelling and nuanced performance garnered critical acclaim, including accolades at the Sundance Film Festival.

Icy Reflections: When It Melts as A Bold Step in Belgian Cinema

In summary, When It Melts is emblematic of the evolving narrative landscape in Belgian cinema, imbued with the neo-realism reminiscent of the Dardenne brothers. This film boldly engages with a challenging and necessary story, presenting a confrontational approach that depicts the harsh realities of sexual violence in a manner that might be deemed too stark for some audiences.

This cinematic work challenges viewers to contemplate and engage in dialogues that are too often marginalized. It represents a significant contribution to contemporary film, inviting audiences to not only witness but also internalize its narrative, acknowledging the profound role cinema can play in shaping societal discourse and fostering a deeper understanding of complex issues.